Site icon Lollipop Magazine

The Mystick Krewe of Clearlight – Review

The Mystick Krewe of Clearlight

(Tee Pee)
by Craig Regala

Wow. Perfect jamtastic stuff from a buncha guys from New Orleans, Louisiana. More on them later. No singin,’ plenty of organ, plenty high-energy, blues rock-based playing, both revving up and spacing out like live Steppenwolf. Yeah, Steppenwolf! Considering the band members are drawn from Eyehategod, Crowbar and Down, this was a surprise to me, but it’s really not that far off the groove theory that’s been cookin’ in NOLA for eight plus decades. This is how I’d design a H.O.R.D.E band, and it’s not too far from some of that stuff, but with a helluva lot more swagger than, well, damn near anything around.

I hear all sorts of cool stuff relating to first generation acid rock, hard-ass prog rock (High Tide, some of the tougher Crimson tunes), Southern rock (the Allmans’ ace live “At Fillmore East”set), Tony Williams Lifetime/early Mahavishnu Orchestra power fusion, the SST labels exploratory ’80s bands (esp. Gone and DC3). No extraneous bullshit; like bop-era jazz it gets goin’ but never loses the beat, dicks with it but doesn’t lose it. This is player-focused music not defined by “chops” or “tastylicks” or mathrock angles/jerk-on-a-chain time signatures. No, all the instruments are focused towards a powerful visceral lift. Put ‘m on the road with Core and Atomic Bitchwax and let Greg Ginn and Leslie West sit in.
(PO Box 20307 New York, NY 10009)

Exit mobile version