More like prog rock with dark melodies, with songs that are essentially energetic and full band, lots of moody pop, not a lot of long, boring passages.
For the second time, Cleopatra Records have re-released a classic, silent-era horror film, replacing the original soundtrack with a Gothic industrial mix.
Although Black City ends with a song called “Wild and Crazy,” DOLL aren’t; they sound like The Strokes on downers, or a more “serious” version of The Hives.
The coolest moments are watching Ozzy do the lonely walk to his stage (you really feel the poignancy of his job), or seeing him sign autographs in a mental fog.
The owner of Knockabout Publishing, Tony Bennett (don’t start) is one of the brighter, more capable editors in the business alongside Ron Turner of Last Gasp, Denis Kitchen of the late Kitchen Sink, and the Fantagraphics gang.
Power pop indeed. Most of the songs are of the sure-fire rock variety, complete with many repeated choruses to make sure catchy little buggers have a good grip.