Squarecrow sounds focused and energized throughout Rammi Jamms, and they even throw in a snarled, skank-worthy take on The Smiths’ immortal “Bigmouth Strikes Again.”
Of all the late ’70s punk godfathers, The Damned always seemed to be the ones to use the nascent punk sound for its purest purpose: To make great music.
Senses Fail and Man Overboard team up for this four-song EP, featuring a new song from each band as well as each band covering one of the other’s choice cuts.
Classic old school punk with a strong Bad Religion vibe. Considering The Generators have a 15+ year history, it’s no surprise that they create perfectly formed, impeccably molded songs like the ones on Life Gives, Life Takes, their 10th album.
Like loads of good-but-indistinguishable pop punk bands of the late ’90s, they have heart and skills, but haven’t found their unique voice by their 2nd album.
Raspy-voiced bar room punk from San Francisco. Combining horns, dark ska upstroke, punk charge, and blind-staggering to please Social D and Pogues fans.
Justin Pearson of The Locust returns with the edgy shit people call art punk. You can love or loathe the long song titles cuz it’s about the music, right?
Modern life is a real drag according to the The Bronx’s lyrics, but you wouldn’t know it from the kick-ass, muscled boogie-punk that these LA punkers jerk out.