If you’re too young to remember Atari Teenage Riot’s headache-inducing style (called digital hardcore, and released on ATR’s Digital Hardcore Recordings) from the mid-’90s (mainstreamed by Happy Walter’s Spawn soundtrack, which paired ATR and Slayer), here’s yer crash course. It takes an underground movie like Threat to have the courage to bring metalcore and digital hardcore together.
I’ve held onto Bat Head Soup: A Tribute to Ozzy all this time for the cover of “Mr. Crowley” that opens that CD as well as this one (it sure wasn’t the duet between Dweezil Zappa and Lisa Loeb someone thought was worth bragging about, not being humiliated by). Ripper Owens and Yngwie Malmsteen are both amazing, stylized, and have the tendency to show off, yet both stay admirably on-target here.
A sweet double disc from Century Media, the folks who regularly bring us some of the best real metal around. 20 songs on each disc, a few edits and demo tracks, and inclusions from Nuclear Blast and Liquor and Poker to boot. There are Hot Topic and Revolver logos on the back, sure, but no one’s perfect.
I’ve heard Melvins records over the past few decades, seen’m, dug their stance as “we do it our way” individualists, and am heartily impressed with their ability to mind some sorta mind bend metal” by language continually out of any and all source material, be it from being weaned at the nip of Black Flag or birthing Boris. The bands below learn on the whomp! Crunch! Grrr!, eng? Crunch! side of things; and it works as a piece.
Can Generations really be a product of 2005? Apparently so, and thank fucking god. In an age when everyone’s trying to out Coheed And Cambria each other or Throwdown in the pit, it’s nice to see young bands wearing Warzone shirts and yelling lyrics like “never have shit to say, but something’s always coming out of your mouth… you fucking judge, but where are the facts? Face it, you don’t know shit, you’re just another problem that I don’t want to deal with” (“Never Stop” by Lights Out).