Hell and High Water coheres better than its predecessor, helped by the record’s impeccable production, everything sounding huge and beautiful and crushing.
Not as radio-friendly as Take Back the Universe and Give Me Yesterday, nor as lo-fi as I Become Small and Go, On The Speakers falls between the two extremes.
In addition to the synthesized percussion, you get chunky, jaggedly-distorted guitar, clanging, lurching percussion, and even some distortion on the vocals.
Blues rock mutated into proto-metal via burned-over psychedelia, the bad acid wah-wah pedal just post ’68, packed tight, giving you your bong-load’s worth.
Over the years, Radiohead’s Jonny Greenwood has expanded his “ead guitarist role into a gaggle of duties, from radio static dude to theremin guy to xylophonist.
A two-disc odds’n’sods compilation existing mostly to make available the tracks from the two out-of-print full-length albums, Jug Fulla Sun and Elusive Truth.