The Great Unraveling – Review

June 1, 1997

From the bowels of Baltimore comes some of the better, and more twisted, post-whatever scene that sprung out of D.C. and Fugazi over a decade ago.

The Hi Hats – Review

June 1, 1997

They’ve been playing their brand of soul-laced ska since 1990, and their heavier reggae feel has made them a staple of the live scene.

The Frogs – Starjob – Review

June 1, 1997

This is the kind of stuff that pop pranksters like Ween could never quite pull off – pretty melodies slicking up the chute for a deviant lyrical attack.

The Crowd – Letter Bomb – Review

June 1, 1997

On Letter Bomb, they consistently prove themselves to be masters of melodic chock full o’ harmonies punk rock, kinda like what the Buzzcocks used to do.

The Bluebeats – Dance With Me – Review

June 1, 1997

As promised, these six middle-aged guys from New York capture a “fresh take on authentic Jamaican Rock Steady, Ska, and early Reggae – all with a twist of soul.”

The Allstonians – Review

June 1, 1997

Together, the band members have over three decades of ska experience, most notably in Mr. Cranky, Steady Earnest, The Hi Hats, and Skavoovie & The Epitones.

Sylk 130 – Gettin Into It – Review

June 1, 1997

Written/produced by Britt with soul diva Allison Crockette on vocals. It’s a wonderful track, combining soul, jazz, funk, and hip hop into a timeless hybrid.

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