The songs on Kill, Baby, Kill are a dreamy concoction of smooth pop and ragged samples. Slick keys or distorted-rantings, Sweetie skates comfortably along.
Looping samples, strolling fat man bass, mountains of metal guitars, and track upon track of screaming vocal with the hip-hop beats weaving it together.
Souls at Zero is notorious for well-crafted groove blasted heavy and crunchy. Brad Divens’ howl is a trademark from Wrathchild to Wrathchild America releases.
Starting with a heavy, heavy base of Cajun influences, Landreth bends and blends his chords and notes into accessible grooves full of bayou bluesiness.