Metal/Hardcore Review – Page 252

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Toetag – “Salvi” / “Pig’s Eye” – Review

July 1, 1995

Toetag returns to stomp through two new songs. Mike Cahill has one of the more distinctive voices in the metalcore genre.

Austen’s Dead – Vomit – Review

July 1, 1995

Angry, ugly, loud. I like their aggressive stance, but their recording needs serious work.

Altamira – “Lucy” / “Bridge” – Review

July 1, 1995

Playing instruments in a loud, aggressive, heavy, progressive band is easier than being a lead singer. It’s rare to find a captivating voice.

Strongarm – Atonement – Review

July 1, 1995

Ten songs of hugely produced all-out hardcore. The music is hard, metal, and true. The message is praising God.

Stillsuit – Green Spock Ears – Review

July 1, 1995

A 6-song teaser of fast and melodic hardcore. They used to be Standoff, but they’ve tightened and matured so much, that’s little more than name-dropping.

Still Home – “Junior” – Review

July 1, 1995

Still crankin’ out hard edge rock ‘n’ roll. The guitar sound (par for producer Drew Townsend) is large, crunchy. These guys are killer live.

Sheer Terror – Love Songs for the Unloved – Review

July 1, 1995

Prong’s Tommy Victor produced this beast to sound like a Neanderthal’s mud fight. Clods of sound are lobbed and fast-balled at you.

Septic Flesh – Esoptron – Review

July 1, 1995

The melodies of the guitars and keyboards add a particular atmosphere. Add the gruff and clean vocals of Spiros and you have the perfect melodrama.

Anal Cunt – Top 40 Hits – Review

June 1, 1995

Noise core to the extreme. They do “covers” like “Escape (the Piña Colada Song),” and the most killer version of “American Woman” ever committed to tape.

Accept – Death Row – Review

June 1, 1995

Death Row moves Accept into the ’90s under the power of Hoffman’s rock solid, aggressive guitar style and Udo’s piercing growl.

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