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Anon CD Release Party

Women of Sodom – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

From where I was sitting, mostly what I heard was the drum machine, but I chose my seat for the view, not the acoustics.

Turkish Delight – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

Singer was a fairy queen complete with gauzy wings and wand. She made gifts to the house of toy instruments and odd curios and asked the crowd to play along.

Sextiles – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

Songs were tightly sewn together by throbbing bass and frantic rhythms. Energy. Really a fine band. But the singer sounded like Joan Baez on methedrine.

The Moors – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

Celtic ambiance and mournful tunes. Really dug the flute, but too bad there was some kind of low-frequency hum that drowned it out and buzzed the speaker cabs.

The Borg – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

If the music isn’t important, they should make more of the stage show. If the stage show isn’t important, then they should add more samples, loops, whatever…

Sirensong – at at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

Sirensong wasn’t my thing. I could hear that the singer hit all her notes. Yes, they had a solid drummer. But it sounded like the same song three times.

Double Dong – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

All-vocal hip-hop with one live drummer, zero technology. Three out front: 1 raps, 1 makes odd sounds, 1 is a prop with attitude.

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