Aerosmith’s take on the blues always had/has plenty of rhythmn/funk/boogie woogie fun as well as the bit of the dealin’ with the devil at the crossroads part.
This soundtrack works threefold; as a sampler of classicist doom-rooted metal, as a complement to the film, and as a listenable disc from horns to tail.
Captain Beyond, Lucifer’s Friend, and Uriah Heeps’ most lucid riffs regunked by guys who banged out indie-era Monster Magnet and late period Black Flag.
He doesn’t mix “the hip-hop with the Southern rock” but mines a woozy out-of-time, out-of-space reality from the Eisenhower era with a similar black/white mix.