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Recent
  • [ May 13, 2026 ] Corrosion of Conformity Announces 2026 Tour Dates – News News
  • [ May 12, 2026 ] Milwaukee Metal Festival 2026 Adds Nachtmystium and Emmure to Lineup – News News
  • [ May 8, 2026 ] Summer Slaughter 2026 Returns with Hatebreed, Devourment, Incantation, and more – News News
  • [ May 7, 2026 ] Buckcherry Announce Final Leg of the Roar Like Thunder 2026 Tour – News News
  • [ May 6, 2026 ] Kontusion Announces 2026 Tour Dates with Dispossessed – News News
  • [ May 5, 2026 ] The Acacia Strain Announce Summer 2026 Tour – News News
  • [ May 4, 2026 ] Diesel Boy 2026 Tour Dates for the 30th Anniversary of Cock Rock – News News
  • [ May 3, 2026 ] The Cle Elum – Guided by Guided by Voices – Music Stream Bands
  • [ May 1, 2026 ] Entheos Join Jinjer on 2026 Tour + Co-Headlining Dates with Crystal Lake – News News
  • [ April 30, 2026 ] Dwarves return with Jenkem and 2026 Tour Dates – News News

Diamanda Galas

Diamanda Galás releases New Album Broken Gargoyles – News

September 13, 2022

Employing advanced vocal and instrumental techniques, Broken Gargoyles is arguably Galás’ most intellectually, sonically and viscerally formidable work to date.

Diamanda Galas – La Serpenta Canta – Review

February 7, 2005

A collection of live dates with her and a piano (and an occasional delay pedal), and she’s doing tunes by John Lee Hooker, Hank Williams, Screamin Jay Hawkins, and Ornette Coleman.

Gothic Club Classics – Volume 1 – Review

June 4, 2001

Staples like Bauhaus and Fields of the Nephilim and “dance Goth,” “Goth rock,” and “Goth metal.” Plus Nick Cave, Diamanda Galas, and Einstüzende Neubauten.

Hal Willner – Closed on Account of Rabies: Poems and Tales of Edgar Allen Poe – Interview

March 1, 1998

An interview with Hal Willner

Diamanda Galás – Schrei X – Interview

June 1, 1997

An interview with Diamanda Galás

A Few of My Favorite Things – Four Great Party-Wreckin’, Lease-Breakin’, Cat-Scarin’ Records – Column

February 1, 1996

Suicide “Frankie Teardrop”: As bleak as a Hubert Selby novel and kilos more visceral, this nerve-knotting meisterwerk is one of the scariest songs of all time.

Diamanda Galas – at Mama Kin – Review

November 1, 1995

She wails and groans, her accompaniment a piano as Luciferian as her voice. Earthquake low rumbling with lightning flashes of sharp highs lifting its voice.

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