A lot of its 79 minutes discuss Last Exit to Brooklyn. His fourth novel, Requiem for a Dream, is almost as well-known, thanks to Darren Aronofsky’s 2000 film.
Quills works much better than Stardom because Kaufman is probably one of the only filmmakers working today other than David Lynch or Matthew Bright who understands that if you’re making a flick about or relating to smut, you must also be smutty in your filmmaking.