Lollipop Magazine

Bush – Razorblade Suitcase – Review

May 1, 1997

These guys combine a truly original sound with a sense of… hey, wait a second! They’re called Bush! Like, you know, a girl’s whozitthingy? That’s so cool!

Lost Highway Soundtrack – Review

April 1, 1997

David Lynch enlisted the services of Trent Reznor to compile its soundtrack, in much the same way Rezzie put together the collage for Natural Born Killers.

Red Five – Flash – Review

November 1, 1996

Some would say that the foursome is just another Elastica/Veruca Salt wanna-be. But Flash also has the Breeders and the Pixies written all over it.

Les Claypool And The Holy Mackeral – High Ball With The Devil – Review

November 1, 1996

When the other two thirds of Primus are removed, you really miss the psycho-sound effects, general guitar noodling craziness, and high-caffeine drumming.

The Reverend Horton Heat – It’s Martini Time – Review

October 1, 1996

He said unto me three words that spoke volumes and lef’ dem lying ’round on the floor afterwards t’be used as drink coasters: “It’s Martini Time!”

Music For Our Mother – Review

September 1, 1996

Music For Our Mother is a whole bunch of alterna-rock artists doing surf songs, surf related songs, earth conscious songs, and completely unrelated songs.

The Brian Setzer Orchestra – Guitar Slinger – Review

June 1, 1996

Brian Setzer gathered a 17-piece big band around him: Rockabilly with a full horn section hootin’ and hollerin’ and causing all sorts of ruckus.

My Life With The Thrill Kill Kult – Hit and Run Holiday – Review

November 1, 1995

Those already familiar will know what to expect. Futuristic retro fashion, an orgy of sax, keyboards, guitars, drums, and sultry voices.

Primus – Tales From The Punch Bowl – Review

July 1, 1995

Combining top-shelf musical ability, risk-taking song formulation and psychedelic humor, Primus have created another colorful sonic picture.

All – Pummel – Review

June 1, 1995

Pummel is ALL’s first release on Interscope. The second with Chad, and the first ALL release that I’ve liked from end to end since Dave Smalley split.