Three varied albums for this creatively exploded Norwegian duo. An album less phreaked than Neonism, slicker, classier, more majestically modern black.
The result of recording difficulties and saddled with an awkward album title, Katatonia wears those Opeth comparisons more deliberately than ever before.
Six Feet Under have created a niche by slowing down, simplifying, and in an odd way, shoe-gazing their way through hypnotic, crunchy mainstream metal riffs.
Broke the bank by visiting three areas: Songs reminiscent of British Steel, songs reminiscent of Point of Entry, and songs heavier than anything on either.
Heavier still than Screaming…, even if the production was more synthetic and drummer Dave Holland seemed even less necessary as a paid member of the band.
This singular sound is a combination of doomy, death-like melodies with completely conventional rock instrumentation. I find it a bit naggingly fence-sitting.
Sin After Sin, Stained Class, Hell Bent for Leather, and Unleashed In the East: The silver gleamed, the riffs rifled, and Halford was at his high-flying’ best.