Scott Hefflon – Page 252 – Lollipop Magazine

Mortal Kombat: Annihilation – Review

September 1, 1998

Throbbing music plays loud & steady. Most of the bad, um, things have extra arms, heads, legs, or stuff that makes things freeze, blow up, and other cool shit.

In & Out – Review

September 1, 1998

As the characters come to terms with Howard’s gayness, the pace picks up and funny turns hilarious. Rewind the “moment of truth” and laugh yourself stupid.

An American Werewolf in Paris – Review

September 1, 1998

London was goofy and quirky and seemed unselfconscious, Paris is intentionally funny, and while it elicits chuckles and snorts, they’re resented in retrospect.

187 – Review

September 1, 1998

Gangs rule the schools, intimidation is the only way to maintain respect, and the administration is more concerned with lawsuits than education.

Demonic – The Empire of Agony – Review

September 1, 1998

Organs, scary keyboards, and fist-banging rhythms offset the hyperspeed paces – but in the end, it seems so random. And “inconsistent” production doesn’t help.

Dawn – Slaughtersun (Crown of the Triarchy) – Review

September 1, 1998

Mostly breakneck-speed black metal, with dabbles of supporting keyboards. When the tempo “slows,” the riffing approaches memorable, almost singable, beauty.

Damn the Diva – Flow and Steer – Review

September 1, 1998

Falling for a ballad may come easily to some, but not to all. Simple, sweet, addictive, reminiscent of… something I can’t quite place.

Circle of Dust – Disengage – Review

September 1, 1998

From experimental/ambient/avant noise to ripping, guitar-driven material with distorted vocals, to the throbbing percussion, Disengage speaks in many tongues.

Clowns For Progress – Progress – Review

September 1, 1998

Brad’s riffing, when matched with a Knacky drum roll, or Billy Idolish “Whooaw!,” is timeless rock through and through.

Wretch Like Me – New Ways to Fall – Review

September 1, 1998

This Fort Collins band combines humor and scathing attitude, the best of the old and new school, produced at The Blasting Room, with a healthy dose of SST.