Flashy playing, but not a song worth investing in. Some have a bridge or fade out that glimmers, but they’re surrounded by amazingly-played knock-offs.
Bellamy’s falsetto and the bass runs no longer seem like explorations into neo-classical territory, but these are fine tunes, despite their transparent streaks.
Electronic beats and monolithic orchestral arrangements in a Blade Runner setting, this sounds like a voyage to an eternally-sunsetting futuristic planet.
They spawned cheap-knock-offs galore and became a Ministry cover band after a while, but they’ve written enough great songs to fill a set list, encore included.
Formed from the ashes of cult legends Union Carbide Productions, The Soundtrack of Our Lives has been one of the best unknown bands in the world for four years.
An album that sounds like Jad Fair covering the Carpenters set to disco thump and roller rink strings. Yet another example of why music sucks right now.