Any band who can play like Meshuggah and sing like Nevermore’s Warrel Dane or Geoff Tate (and sometimes King Diamond), well, there’s something to check out.
Comparable to the sedative of Spacemen 3 if they weren’t so experimental, suggestive of Front 242 with a distortion pedal, or a more introspective Stereolab.
From the first tortured chords of “Bullfight,” you can feel the raw energy blasting off of the silicon. They switch moods like a schizophrenic girlfriend.