All 12 songs meld big ’90s guitarrorism, organic samples, and an obsessive-compulsive attention to detail with bright harmonies and indelible choruses.
Electro-industrial concerning James Bond, Justine Bateman, the Marquis de Sade, Russ Meyer films, and serial murders. The singer sounds too much like Axl Rose.
Nothing more than diluted Sergio Mendes vibes meshed with the excruciating Wonderbread funk of Level 42, largely considered the most hated band of all time.
Starting with a heavy, heavy base of Cajun influences, Landreth bends and blends his chords and notes into accessible grooves full of bayou bluesiness.