Lollipop Magazine

Turkish Delight – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

Singer was a fairy queen complete with gauzy wings and wand. She made gifts to the house of toy instruments and odd curios and asked the crowd to play along.

Mr. Density – Review

November 1, 1995

This publication covers Crispin Glover art, crossword puzzles, writers spewing philosophies on why he does what he does, and letters from fearless fans.

Super Junky Monkey – Screw Up – Review

November 1, 1995

They combine the blender-music aesthetic of Zorn and their Jap-noise equivalents with the Kraut-rock noodlings of Faust.

Femme Flicke – Review

November 1, 1995

It’s good to see a directory of woman directors and special features on women and their involvement in the medium. I recommend it for your next slumber party.

Sextiles – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

Songs were tightly sewn together by throbbing bass and frantic rhythms. Energy. Really a fine band. But the singer sounded like Joan Baez on methedrine.

My Life With The Thrill Kill Kult – Hit and Run Holiday – Review

November 1, 1995

Those already familiar will know what to expect. Futuristic retro fashion, an orgy of sax, keyboards, guitars, drums, and sultry voices.

Stereolab – Refried Ectoplasm (Switched on Volume 2) – Review

November 1, 1995

A collection of hard-to-find singles on Duophonic Super 45s from one of the most original bands of the ’90s who should prove to be largely influential.

Crank – Review

November 1, 1995

Crank specializes in murderous or pornographic news tidbits mixed with Hitler propaganda and violent film outtakes. Includes a feature on Boston’s Combat Zone.

Nature – Interview

November 1, 1995

An interview with vocalist/guitarist/programmer Brian Threatt

Stanley – Clobbered – Review

November 1, 1995

The sort of band that badly Xeroxed cut-and-paste ‘zines love to ramble on about. Their sound is too Seattle to be sludge-punk, but too Chicago to be grunge.