On Letter Bomb, they consistently prove themselves to be masters of melodic chock full o’ harmonies punk rock, kinda like what the Buzzcocks used to do.
There’s a little more distortion in It Came From Pier 13!, and a slight soundtrack element that recalls all those beach party-gone-bad movies of the ’60s.
Allow me to shriek a hymn of praise to the quarter-century re-emergence of America’s own cinematic Sleazehenge, the cross-dressing, merde-munching, pullet- humping Godfather of celluloid atrocities, John Waters’ Pink Flamingos.
As promised, these six middle-aged guys from New York capture a “fresh take on authentic Jamaican Rock Steady, Ska, and early Reggae – all with a twist of soul.”
Tugboat Annie comes from a coincidental combination of charisma, melody, musicianship, and an extraordinary adeptness at effectively combining these qualities.
Together, the band members have over three decades of ska experience, most notably in Mr. Cranky, Steady Earnest, The Hi Hats, and Skavoovie & The Epitones.
Regular-looking guys playing drums, acoustic and electric guitars, bass, and sometimes keyboards. A little uneasy on stage, but at ease with the music.
Retreat From the Sun is full of happy and sad pop songs about waiting for phone calls, crying, kissing, pinching cheeks, and carving initials in trees.