Written/produced by Britt with soul diva Allison Crockette on vocals. It’s a wonderful track, combining soul, jazz, funk, and hip hop into a timeless hybrid.
A Japanese freak-out, nitrous oxide set to music. Two basses, a second noise percussionist plus drums, guitar, and a very pretty transvestite on keyboards.
While they have hard rock and punk tendencies, their hook is weaving Latin beats, funky rhythms, and vocal harmonies with guitar melodies and mighty vocals.
Quicksand is dead, but Stillsuit is very alive. They have those energetic and influential “post hardcore” stylings that worked for Shift, and they work here.
Drinking to excess is important at times (say, you just broke up with your sweetheart, lost your job, family reunions) but usually, it’s just not efficient.
Elvira, Mistress of the Dark and Deadbeats: New In Town reprint the early issues of their comics. Elvira at least has the goofy camp, if not the cleavage.
When Aaron Lewis isn’t crooning, croaking, and moaning mournfully about how really shitty the world is and how much he doesn’t like it, he’s screaming.