November 1997 – Page 6 – Lollipop Magazine

Sarre-Chasm – Taking Stock Thus Far – Column

November 1, 1997

Music makes the world livable, and good music can make this often metaphorical and occasionally literal garbage heap much more so, ‘cept it’s a bitch to find.

Moist – Creature – Review

November 1, 1997

Creature has some attempts at heaviness, but mostly the band teeters in the middle of that blurry area between a rock song and a ballad, very much like Live.

Little Red Rocket – Who Did You Pay – Review

November 1, 1997

The plain vanilla pop song formula is personalized with cellophane-coated vocals, occasional organ tones, and a twangy racing guitar effect.

The Full Monty – Review

November 1, 1997

Age, class, body type, and sexual preference, the usual barriers to inter-gender relationships, all break down in the course of this daft undertaking

Keith Moon – Two Sides of the Moon – Review

November 1, 1997

The Geritol-swiggers at King Biscuit has (re-)issued a reminder of Keith’s drunken-imp eminence by remastering his only solo LP, 1975’s Two Sides of the Moon.

Sling Blade – Review

November 1, 1997

People generally agree that it’s a great little tale, intrigued by the strangely heartwarming/homicidal mentally retarded leading man.

Spring Heeled Jack – Static World View – Interview

November 1, 1997

An interview with Mike Pellegrino and Ron Ragona

Insane Clown Posse – The Great Milenko – Review

November 1, 1997

A unique blueprint that combines distinct, albeit abrasive, rap ‘n’ rant styled vocals with funky electronic percussion and a dark carnival atmosphere.

Honkeyball – Onetime – Review

November 1, 1997

Aggressive, loud, rock-based but without pandering to whimsical trends of commercial radio, and basically heavy, gruff, yet melodic in a tough sorta way.

In The Company Of Men – Review

November 1, 1997

It is definitely a bad time for realistic male roles. Hollywood seems to have a confused sense of what male dignity is.