Forget In Flames, Dark Tranquillity, or any other band that “carries the torch of At The Gates.” Extol is the closest and the most passionate you’ll find.
A solid if not brilliant album. Sax, Spanish guitar and The London Session Orchestra appear in many of the tracks, helping to build layers and layers of sound.
Ferocious, infectious, well-organized, and unpredictable enough to pull off the “tough street kids” shtick without sounding cliché. This is a great record.
Hatebreed without the small doses of technicality, Blood For Blood without the thug attitude, Gorilla Biscuits but angrier and more prone to “chug-chug-chug”s.
While Valérie Leulliot’s vocals remain a pleasant blend of haunting and sweet, the songwriting is a bit more progressive, with two songs topping six minutes.
Eleven gives you a chance to weep at the feet of genius. Beautiful, swelling, heart-rending songs that’ll have you belting out the melody after a few listens.