The one and only Faroese folk metal band. Some English singing, some in their native tongue, summoning ghosts of ancestors, epic battles, love of land and lore.
Spencer Moody (Murder City Devils) and friends create a band and record this kinda echoy, kinda “sparse” (aka empty) CD. Such a great, tortured voice wasted…
Brutal spazzcore from Austin, Texas. For fans of Converge, Dillinger Escape Plan, and bands on Blackmarket Activities. This stuff annoys the hell outta me.
NYC three-piece previously on Crypt, this slab was produced by Jim Diamond, and they’ve got more indie cred you can stuff in those tight trousers of yours.
Great title. Title track is the best by far. I’m too high-strung for awkward-guy indie pop. Glad someone still writes AM radio pop I’ll never listen to it.
Say it with me: “Speed/Kill/Hate’s Acts of Insanity.” We done? East Coast thrash featuring members of Overkill (not members I recognize). Or so the sticker sez.
A bit more Loverboy than the barroom swagger of The Golden Gods, but when melodic rock is 3 Doors Down and Hinder, I’ll take a hint of Maroon Five, if need be.
Not to be confused with the UK band, these Vancouver punkers were important in the late ’70s and early ’80s. First new tunes by the original line-up since ’82.
Yup, it’s another Street Dogs CD. Ex-Dropkicks singer’s working class Boston punk band, with guest appearances by The Pogues and Flogging Molly members.
Cabaret clusterfuck. Math rock thrash pop duckwalk. Sleepytime Gorilla Museum on a crack binge. This is overly creative people with time on their hands. Thanks.
Part melodic punk, part screamo, part emo, someone shoulda really convinced them to work on these tunes a little more before recording and releasing this debut.
A live acoustic album with all the hits, including the song with Evanescence. You can almost see college girls mouthing the words with their eyes closed.
If you love your hardcore served straight forward and straight-edge and don’t already own CDs by Buried Alive, Ringworm, and Earth Crisis, this’ll fill the gap.