The set was spotty, but their Velvet Underground sensibility meets ’90s power chord rock sounded pretty good by the end of the night (beer factor included).
The Gravel Pit had a good rock thing going, with great heavy bass. The singer has a powerful, somehow Dickie Barrett-esque yell that even worked on a ballad.
Thankfully, the guys in Poundcake had a little more of an edge to them. They were happy too, but they didn’t feel the need to smile at each other constantly.
They ran through most of their new album, Pile Up, and a lot of my earlier faves, such as “Rock ‘N’ Roll Queer Bar,” “Cocksucker Club,” and “James Bondage.”
Trippy rock, with great grooves and a charismatic singer. After the set, I left quickly because I had the inexplicable urge to lick the sweat off his body.
Things went downhill about halfway through the set, when the band followed Mr. Manson’s lead and left the stage. After the fourth time, it was getting old.
Two words. Perky and happy. Not to say Brian Stevens and his band aren’t talented, but they were just so darn thrilled to be playing their saccharine songs.