A thick, crunchy, bottom-heavy sound that rocks hard with an emphasis on the groove. Never thought a band with a guitarist named Nigel could beat this much ass!
Lo-fi/open-heart serenades that sound like they’re talking about you… Mortal in its form (four-track recordings?), Bright Eyes sound tragic yet relevant.
Movie Music Vol. One and Movie Music Vol. Two are “wrap-ups” or “discographies,” tracing Braid’s career with rarities, out-of-print, and unreleased material.
Like Thank You, Royal Trux’s latest makes mucho use-o of guitar-heavy stone-out-on-this grooves, perfect for a new crew of hi-school misfits to never hear.
Movie Music Vol. One and Movie Music Vol. Two are “wrap-ups” or “discographies,” tracing Braid’s career with rarities, out-of-print, and unreleased material.
Emitting energy from every note, syllable, and beat, Lucky to be Alive succeeds by showing that Braid is not one of those “new material only” live bands.
Boy Sets Fire can’t even cover material correctly. Sounding weak and devoid of the essence that the originals held, their two Coalesce covers are laughable.