The only drawback of this collection is technical: On the page, his material loses the benefit of his smooth delivery, and that little self-satisfied giggle.
With roughly the same intention as Factsheet 5 (the encyclopedic guide to the zine revolution), there’s no reason why we can’t have two (or more) guides.
To many, Orson Welles is best known for three things: War of the Worlds, Citizen Kane, and as a (barely) walking fat joke during the last few years of his life.
The tension between Leroy’s heart-on-his-sleeve demeanor, and the will-he-or-won’t-he-survive-it drama, make Road Story a sort of postmodernistic Easy Rider.
it was evident that above all else, he gave a shit. He was a fan of rock ‘n’ roll who possessed a gifted script of prose and a heady background in lit. to boot.
Another mammoth issue with interviews, columns, record reviews, poetry, letters, and ads. And crazy-ass original photos. Flipside makes punk rock look fun.
A pleasing selection of interviewed artistes based not on genre or payola, but cuz they like ’em, whether it’s Diamanda Galás, Skeleton Key, or Ronnie Dawson.