These three loud individuals have been around and learned how to play simply very well, with suicidal/body count ranting and a touch of speed guitar flash.
From the first, anthemic notes of “Outside Looking In” to the drum work on “Monument,” the disc has plenty of audio tidbits for the avid music dissector.
Beatlesesque orchestration gone futurist, punk-metal guitars chugs, breathy glamboy vocals, slick pop synths with angelic choirs, and country rock jams. Huh?
Release is one of those rare works that can catch a listener on the anger factor alone. Frustration drips from the CD like toxic waste from a treatment plant.