I suppose it’s called Pleasure Vibrations because the theremin is one of the primary instruments. Seksu Roba is also down with le mini-Moog, but their music sounds more like Felix Da Housecat, Ladytron, and Miss Kittin to me.
David Thomas of Pere Ubu and Cheetah Chrome of Dead Boys felt the band they split from (RFTT) had “unfinished business.” 26 years after the band split, they toured. The next year, this basically live-in-the-studio disc appears.
A combination of pounding, proggish but pedestrian power metal, fronted by a mid-operatic female vocalist, landed somewhere between the Goth metal world, old Gathering, low Nightwish, and Lullacry.
A combination of Motörhead, Entombed, and soundtrack music would be the best way to describe this, smacked upside the head with doses of progressive thrash and Italian doom.
A distinctively different Map. The “band” (Dooley, Swift and Lenz often moonlight in Starflyer 59) sounds much, much “lighter,” with sprawling Californian sunshine replacing past shadows and darkness.
Life At Sea sound vaguely familiar, like lost b-sides of your favorite albums or a supergroup made up of your favorite ex-members. Life At Sea have good songs. And you should listen to them.
Seven edgy but catchy little numbers, the frenzied but slightly off-center energy of the band’s attack bringing to mind both Fugazi and Di’Anno-era Iron Maiden.
Karmella’s Game write accessible synth pop without dumbing down too much. There are smart vocals, tasty harmonies, and most importantly, songs that go somewhere.
Born with the same visceral affection as Jeff Buckley and the sixth sense of pop mastery ala Jason Falkner, Coryell’s moody take on polished California pop is like an aural orgasm.