Sirens and Condolences, is absolutely awesome. It’s morbid, melodic rock that’s catchy and intense, with rough guitar solos, gentle, brooding vocals and lyrics that are masochistic and often murderous.
Danny has written most of the record, but Anathema have turned in a fairly single-mooded, periodically guitary record, one that is equal parts Radiohead, Porcupine Tree, and late ’90s Anathema.
A 10-track collection that’s not geared to the dance floor, but more towards the ears of the listener. It offers complex soundscapes and strong songwriting that makes you listen deeper and deeper into the album.
Offering everything you’d want out of a live album, Hammerfall make this thing look and sound like Live After Death. The set is spirited throughout, one show in the band’s hometown of Gothenburg, Sweden.
On his fourth solo album, Vanderslice pushes the limits of analog recording to its threshold, saturating tape and overdubbing a plethora of instruments without losing the warmth of the human touch.
Virginia’s Crestfallen surges with a ferocious appetite on this five-song EP. A vibrant mixture of grind/noisecore/metal and punk, the EP sees the band delivering a very “live” vibe.