CDs – Page 885 – Lollipop Magazine

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Mortician – House By The Cemetery – Review

April 1, 1996

Vomit in a toilet bowl and smash your knuckles into something really hard, really fast – it sounds the same, and it’s equally painful.

The Wipers – The Herd – Review

April 1, 1996

Big riffs and spicy leads. It has a bass you can feel through the floor, and drums that, if they were human, would sport lots of tattoos on their beefy arms.

Misanthrope – Theatre Bizarre – Review

April 1, 1996

Moods range from psychotic carnival metal, to Faustian, Skyclad/Sabbat-like musical skits, to Dream Theater-esque progressive otherworldliness.

The Threat – Sacred Ground – Review

April 1, 1996

Eleven plodding, over-reaching, out-dated songs like the ones I used to skip over on the first two Metal Church albums.

Ministry – Filth Pig – Review

April 1, 1996

Ploddingly minimalistic repetition of simple phrases and music that was recorded live instead of taking the time and energy to meticulously craft each song.

The Smugglers – Selling The Sizzle – Review

April 1, 1996

The Smugglers are always good for skipping-school-for-the-beach. There’s nothing better than surf, sun, sand, and drinking and shimmying to punkers in suits.

The Queers – A Day Late and a Dollar Short – Review

April 1, 1996

As great as Love Songs For the Retarded was, it was the earlier output from The Queers that got you pumped up to be as useless a moron as you could be.

L.U.N.G.S. – A Better Class of Losers – Review

April 1, 1996

A Better Class of Losers is a multi-cultural debut combining the elements of hardcore, punk, metal, rap, and hip hop, and spitting it out with raging venom.

The Meanies – 10% Weird – Review

April 1, 1996

The Meanies may be 10% Weird, but they’re 90% pile-driving punk.

The Loudmouths – Review

April 1, 1996

Their debut record (17 songs, 29 minutes, you do the math!) is a gorgeously unpolished testament to the power of three-chord punk rock.

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