Indie/Alternative Review – Page 226

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Furry Things – Hedfones – Review

May 1, 1997

Furry Things were a subtribe known to shed their coats frequently. They moved early from the Land of the Lo-Fi, peregrinated to the shores of Shoegaze.

Flying Saucer Attack – Sally Free and Easy – Review

May 1, 1997

A countryman’s ballad, “Sally Free and Easy,” which they coated with distortion and waves of mournful feedback.

Dinosaur Jr. – Hand It Over – Review

May 1, 1997

Hand It Over is vintage Dino Jr. – Sonic Youth-like noise rock, married to Neil Young-esque whomping, feedback-drenched melodies and lyrics of tragedy ‘n’ loss.

Dead Family – We Are A Dead Family – Review

May 1, 1997

Dead Morrison’s corpse in the singer’s voice. The writer doesn’t have much choice. C’mon along, the piece is nearly done. Have I referenced yet Waiting for the Sun?

David Bowie – Earthling – Review

May 1, 1997

Jumping into the saddle of modern electronica, Bowie grabbed the reins and turned the bleeping beast of techno to traverse his fertile fields of creativity.

Bush – Razorblade Suitcase – Review

May 1, 1997

These guys combine a truly original sound with a sense of… hey, wait a second! They’re called Bush! Like, you know, a girl’s whozitthingy? That’s so cool!

Juneau – Space is Hot – Review

April 1, 1997

Though they bear a resemblance to Spacemen 3, Juneau achieve a close approximation of their effects with more straightforward rock instrumental imperatives.

Her Vanished Grace – Soon – Review

April 1, 1997

NYC’s husband and wife team successfully blends alternapop, grunge, Goth, and psychedelia into a digestible album with only a few clunkers.

Elysian Fields – Bleed You Cedar – Review

April 1, 1997

Seductive. Sultry. Dripping with sex. Jennifer Charles, singer for Elysian Fields, has a voice that makes any innuendo burst into flames of barely hidden lust.

Eleven Thirty Four – Reality Filter – Review

April 1, 1997

Opening with the surprisingly melodic intro of “A Staining Impression,” Eleven Thirty-Four show themselves well-versed in hardcore and “catchy” songwriting.

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