Reviews – Page 1058 – Lollipop Magazine

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Neurosis – at Mama Kin – Review

November 1, 1995

Warzone percussion and lower-register instrumentation. Synth-squeal noise and over-stressed vocal chords. Iconographic images projected onstage.

La Gritona – with Bloodletter, Neurosis at Mama Kin – Review

November 1, 1995

La Gritona are one of Boston’s few good bands, easily levitating over the usual indie swill and three-chord power-pop pablum. Too bad this was their last show.

Sirensong – at at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

Sirensong wasn’t my thing. I could hear that the singer hit all her notes. Yes, they had a solid drummer. But it sounded like the same song three times.

Klover – with Rusty, The Bogmen, Poole, Green Apple Quick Step at Collegefest – Review

November 1, 1995

Klover played first. Nobody paid attention, they were too busy getting free stuff from the Polygram table. They sounded good though, just like on the album.

Rusty – with Klover, The Bogmen, Green Apple Quick Step at Collegefest – Review

November 1, 1995

Rusty played next. I didn’t realize I knew this band until they played their single. A few kids stopped to listen to that one.

Long Fin Killie – at T.T. the Bear’s – Review

November 1, 1995

The amount of sound they produce is staggering, and almost all of it comes from the singer, a gorgeous black man who plays saxophone, violin, guitar, and more.

Karate – with Capsize 7, Pie, Blonde Redhead at the Middle East Cafe – Review

November 1, 1995

There were spacey interludes mixed in with the noise. Sometimes Karate seemed like a punked-up Pink Floyd, with big guitar notes crashing into the distortion.

Pie – with Capsize 7, Karate, Blonde Redhead at the Middle East Cafe – Review

November 1, 1995

They did an excellent job with the tension/release thing – NOISE, NOISE, NOISE, melody, NOISE, melody. It worked.

Green Apple Quick Step – with Klover, Rusty, The Bogmen, Poole at Collegefest – Review

November 1, 1995

I just kept wondering if they kept the female bassist in the group because she wore a tight skirt and flipped her hair or if she was really good.

Double Dong – at the Anon CD Release Party at The Middle East and T.T. the Bear’s – Review

November 1, 1995

All-vocal hip-hop with one live drummer, zero technology. Three out front: 1 raps, 1 makes odd sounds, 1 is a prop with attitude.

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