Lollipop Magazine

Chris Cornell – Euphoria Morning – Review

January 1, 2000

A diverse collection of tunes á la Scott Weiland’s underrated solo disc. While the above mentioned songs fail to grab me, there are some masterpieces here.

Chris Cornell- Euphoria Morning – Review

January 1, 2000

What a disappointment. Chris Cornell was the singer in a fine rock band. What did he do after the band broke up? He made a wimpy singer/songwritery solo album.

Dub Pistols – Point Blank – Review

January 1, 1999

While the Dub Pistols have the trappings of an electronica-flavor-of-the-month (remember Daft Punk?), they’re not devoid of talent.

MxPx – Slowly Going the Way of the Buffalo – Review

November 1, 1998

MxPx’s major label debut is actually better (harder, punker, just as melodic, less candy corny) than the huge-selling indie album that got ’em signed.

The Hollowbodies – Viva La Dregs – Review

November 1, 1998

Phillip Roebuck’s vocals are generally clear and tuneful, often hinting at The Jayhawks with middle-American motifs such as racetracks and trailer parks.

Monster Magnet – Powertrip – Interview

November 1, 1998

An interview with singer Dave Wyndor

Fretblanket – Home Truths From Abroad – Review

September 1, 1998

Fretblanket display their knack for catchy and tuneful melodies accompanied by versatile guitar, ranging from driving power chords to more delicate intricacies.

God Lives Underwater – Life in the So-Called Space Age – Interview

April 1, 1998

An interview with David Reilly

Jimmie’s Chicken Shack – Pushing the Salmanilla Envelope – Review

October 1, 1997

Jimmie’s bears more than a passing resemblance to Primus – musicianly metal propelled by beefy, funkified bass and witty lyrics.

Orbit – Libido Speedway – Review

May 1, 1997

Orbit’s kinda poppy, but not sappy and sweet and earnest or anything. They’re sort of slick, but in a sleek way, not over-produced or anything.