Lollipop Magazine

Difference Engine – Calidad – Review

September 1, 1998

Difference Engine’s flowers are not as stately as roses, and they certainly have no thorns to add an interesting dichotomy of beauty and masochism to the mix.

Siddal – Mystery and the Sea – Review

November 1, 1997

Tribal rhythms, aluminum-tongued electronica and even a haunted, minor-keyed waltz evoke a sharp spectrum of color-coded wires.

Curtain Society – Life is Long, Still – Review

May 1, 1997

They aren’t trying to be Goth, they’re just making emotionally strong music that sounds like old Cure, and is just a new sprout on the tree of Rock and Pop.

Viola Peacock – The Hangman’s Beautiful Daughter – Review

November 1, 1996

More low-key dream Pop from Bedazzled. The more I listen to this stuff, the better it sounds.

Underflowers – Review

February 1, 1996

Underflowers lean toward the subtle, swaying strains of Dead Can Dance with the rich, male voice of J. Orazi contrasting the gossamer vocals of Mia Chesta.

An April March – Lesons in Vengeance – Review

February 1, 1996

The gorgeous, angelic ache of Danella Hocevar’s vocals, combined with the textured, spacious chime of the music makes for seductive listening.

Mistle Thrush – Agus Amarach – Review

October 1, 1995

No matter how much Mistle Thrush wants to sound mysterious, I only feel a warm, happy flow from them.

Curtain Society – Inertia – Review

July 1, 1995

There’s a whole lotta chiming, layered guitars, echo-drenched swirling atmospheres, and a flair for theatrical vocals.

Viola Peacock – This Way To The Alley Where They Eat Your Heart – Review

July 1, 1995

There’s a whole lotta chiming, layered guitars, echo-drenched swirling atmospheres, and a flair for theatrical vocals.