Columbia Records – Page 8 – Lollipop Magazine

Foetus – Null – Review

May 1, 1995

Foetus albums have always been better when they’ve had space to develop; this EP is no exception. Good as these songs are, the full-length Gash is better.

Dandelion – Dyslexicon – Review

May 1, 1995

This is not the ’80s garage rock band I remember from last year. Evidently, they sold enough records to make a monstrous guitar album.

Hector Zazou – Songs From the Cold Seas – Review

May 1, 1995

Songs From the Cold Seas is daunting, sexy, intriguing, hypnotic, and, in some places, pretty terrifying.

Mad Season – Above – Review

May 1, 1995

With Layne Staley’s (Alice in Chains) smooth vocals and Mike McCready’s (Pearl Jam) wailing Les Paul, could they go wrong?

Season To Risk – In A Perfect World – Review

April 1, 1995

Reviewers have called them everything from punk rock to grunge to noise to whatever Rollins is supposed to be, and they’re dead wrong.

Big Audio – Higher Power – Review

March 1, 1995

Whatever they’re called, they’ve still got the Mick Jones sound from past discs: Clever, amusing, a melange of aural stimuli.

The Blue Up? – Review

March 1, 1995

This record is ideal for those who lost faith in Stevie Nicks when they discovered her “fairy dust” came from Columbia.

Ned’s Atomic Dustbin – BrainBlood/Volume – Review

March 1, 1995

Some tunes are the expected style, but they have a chunkier rhythm and keep slipping into tingling instrumentals and acid wash effects.

Mike Watt – Ballhog or Tugboat – Review

March 1, 1995

Ball-Hog careens effortlessly between straight rock, funk, psycho space-jam freakouts, film-noir stuff, and pretty much anything else you can think of.

Jamiroquai – The Return of the Space Cowboy – Review

March 1, 1995

Jay Jamiroquai has a funny Russian hat, a Native American handle, two perfectly good eyes and pasty-white English skin. Barring that, he’s Stevie Wonder.