The swivel of beach music, the danceable side of ’60s garage rock as it was writ in Chicano Los Angeles: Soul-inflected, R&B conscious, made for Locomotion.
Punk rock’n’power boogie-rooted rock and fucking roll, keeping the tempos in the mid-quick range, the guitars set on “stun,” and the drums set on “stomp.”
Drawing on snappy stuff from the Dictators, MC5, Springsteen, U.S. punk, garage rock, cool indie stroke saddle-up, this thing’s ready to take you for a ride.
Some tunes that shake hands with Jade Tree emo, or bang on bits of 120 Minutes stuff and half-remembered Pixies riffs, or a melody from Mom’s Beatles records.
Mighty songs of beautiful doom-laden sound. Inverted, hanging riffs, Melvinoid spacey trudging, Tab-esque motion, and a deep well of compositional creativity.
Straight-up rock record. Like Trail Of Dead, Love Battery, Hitting Birth, early Smashing Pumpkins, and other worthies that don’t heft as metal or splat as punk.
What makes it good instead of just interesting is the use of distortion, vacuum cleaning, fuzz/space, and exploratory “free rock” to open up and connect.