Lollipop Magazine

Knoxville Girls drop unreleased album In A Ripped Dress – News

May 6, 2021

These tracks were left in the vault for 20 years and were finally mixed by Jerry Teel in 2020 at the Chicken Coop in New Orleans.

Knoxville Girls – In a Paper Suit – Review

February 22, 2002

Knoxville Girls are kind of a supergroup, tho’ only if yer familiar with The Chrome Cranks, The Gun Club, Pussy Galore, and Boss Hog.

King Brothers – Review

February 22, 2002

First thing ya notice is this record’s really loud, like louder than everything in the CD changer, loud like their buddies’n’countrymen Guitar Wolf is loud.

The Dirtbombs – Ultraglide in Black – Interview

February 22, 2002

An interview with Mick Collins

The Screws – Shake Your Monkey – Review

February 22, 2002

Mick Collins’n’the lovely’n’talented Terri Wahl pull a Detroit Cobras or pre-Mr. Downchild ’68 Comeback an’ record a whole record of other peoples’ songs.

The Now Time Delegation – Watch for Today – Review

February 22, 2002

Heavyhitters Tim Kerr (Lord High Fixers, Poison 13, The Big Boys, Monkeywrench, etc.) and Lisa Kekaula (of The Bellrays) and grind out some soul groove.

The Dirtbombs – Ultraglide in Black – Review

February 22, 2002

The greasy fingerprints of Mick Collins’ Deetroit roots are all over this thing. Whole chunksa soul backbeat galore. Ya hear it and ya wanna get up and dance.

The Deadly Snakes – I’m Not Your Soldier Anymore – Review

February 22, 2002

A big bucketa soul fried up wit’ garage grease’n’some nice Memphis rootsy-type sensibilities. Pretty cool stuff and not just for a buncha Canadians, either.

Dan Melchior’s Broke Revue – Heavy Dirt – Review

February 15, 2002

Like his buddy Wild Billy Childish, Dan Melchior plunders elderly American musical styles (like, uh, rock’n’roll and blues) and then rams ’em back home.

Andre Williams – Black Godfather – Review

September 1, 2000

The various jumpin’ backing bands on various tracks turn the whole thing into an incoherent circus based around Blackspoitation hommages’n’Andre’s phrasology.