Monostar evokes visions of soft-haired, prepubescent raver boys cuddling into knockoff ’70s jerseys, considering the timelessness of their flaking body glitter.
Acoustic-strummed stray dogs, flower-warped stone and secret societies make sweet poesy of dim New England introspections in Buffalo Tom’s sixth, Smitten.
Lazy man’s Black Crowes, sometimes salsified and rippled with steel drums, occasionally stirred with a little lounge music, or shaken with honky-tonk guitars.
The lively, personable piano takes a flying leap into the musical primelight, dancing audacious circles around its player’s flagrantly uncooperative lyrics.