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Recent
  • [ April 3, 2026 ] Killswitch Engage and Machine Head Announce Summer 2026 Tour – News News
  • [ April 2, 2026 ] Infected Rain Release “Stranger” and 2026 Tour Dates with Stitched Up Heart – News News
  • [ April 1, 2026 ] W.A.S.P. Announce the 1984 To Headless 2026 Tour with KK’s Priest – News News
  • [ March 30, 2026 ] Prepare The Ground Festival Reveals Full Lineup – News News
  • [ March 29, 2026 ] Social Distortion – Born to Kill – Music Stream Bands
  • [ March 28, 2026 ] Black Veil Brides Announce Vindicate and 2026 Tour Dates – News News
  • [ March 27, 2026 ] Great American Ghost Release digital-only, deluxe album + 2026 Tour Dates – News News
  • [ March 26, 2026 ] Deicide Announce 2026 North American Tour Dates – News News
  • [ March 25, 2026 ] Exhorder Announces Spring 2026 US Tour with Skinlab – News News
  • [ March 24, 2026 ] Helloween Embark on 40th Anniversary North American Tour 2026 – News News

Kembra Pfahler

The Voluptuous Horror of Karen Black – with the Peecocks at the Rat – Review

June 1, 1995

Near-naked females in blue body paint and black teeth. Cardboard-cutout props. Lots o’ glitter. An Oriental guitarist named Samoa in a nurse’s outfit.

The Peecocks – with The Voluptuous Horror of Karen Black at the Rat – Review

June 1, 1995

Pure old-style glam at its finest, with songs like “We’re Here, We’re Queer, Get Used To It” and a reworked Jim Carrol tune called “All the Animals Died.”

The Voluptuous Horror of Karen Black – at ManRay – Review

June 1, 1994

Large-breasted, topless, black-toothed women in body paint dancing to simplistic ’70s glam punk.

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