Maybe they have a more distinct style or a wider range of influences. Even if they were to do covers, they would personalize them and make them their own.
The man has an almost cult-leaderish quality about him – ice cold eyes and a patronizing manner towards the worshipers. His lyrics are crisp and harsh.
If you like tongue-in-cheek-loungelizard-pseudo-jazz, complete with crooning vocals, stand-up bass, xylophone, and sax, nobody does it better than Lars Vegas.
Korn merges rap and hardcore, a combo I’m not fond of. A very loud bass and faster, faster drums make good mosh music, but it’s not appropriate for my bedroom.
Their set was in keeping with the variety theme of the show – their style varied from rock to blues-funk type stuff, to reggae, including one twangy number.
Faith No More stand as one of the most creative, risk-taking bands around, while Mike Patton is one of the most entertaining, diverse talents of our generation.
Fireworks. Detuned bass. Distorted, violent synth noise. Every song lasts for 20 minutes, building to an orgasmic conclusion, and you wish they lasted longer.
I headed backstage to party with the bands and to get free beer. While up there, I saw most of Butt Trumpet’s set from above. They did put on a great show.