Metal Blade Records – Page 47

Celestial Season – Solar Lovers – Review

March 1, 1996

The vocals range from the wounded beast lament of Paradise Lost to the sultry moan on Celtic Frost’s Into The Pandemonium. Two violinists add a touch of class.

Sacred Reich – Heal – Review

February 1, 1996

On Heal, Sacred Reich performs as expected: Slow, heavy chugging guitars offset by bursts of triplets on the kick drum and searing guitar solos strewn lavishly about.

Thought Industry – Outer Space Is Only A Martini Away – Review

February 1, 1996

Okay, it’s not metal. It’s not Goof Rock. It’s not New Wave. It’s not Art Rock. But it is. It’s all of these things, and none.

Gwar – Rag Na Rok – Review

December 1, 1995

They’ve beefed up their sound with samples and added a few stylistic incongruities. But the high point of the disc is definitely the lyrical content.

Mental Hippie Blood – Pounds – Review

October 1, 1995

Mental Hippie Blood is a solid, soulful rock band filled with hooks and melodies, combining righteous soloing and powerful vocals into once heavy rock package.

Six Feet Under – Haunted – Review

October 1, 1995

With death metal’s largest bands contributing to this supergroup, it’s no surprise it’s amazing. It’s unique from any of the bands the members are famous for.

Channel Zero – Unsafe – Review

October 1, 1995

Hint of Pro-Pain, Korn, and countless others. When the voice goes over the edge and howls, “Sucking me dry for my energy,” you know you’ve got a hit.

Beats The Hell Out of Me – Rolling Thunder Music – Review

September 1, 1995

Psychedelic, or smooth and groovy, or hard and choppy, or rocking and passionate. Hints of Pearl Jam and Prong, tastily produced by Ross Robinson

Fates Warning – Chasing Time – Review

September 1, 1995

A greatest hits compilation and three unreleased tracks, “At Fate’s Fingers,” “Circles,” and a remix of “We Only Say Goodbye.”

X-Cops – You Have The Right To Remain Silent – Review

June 1, 1995

If you didn’t know this was Gwar in police uniforms, you missed the joke. Parody-core that’s brutal, heavy, fast and addictive.