Lollipop Magazine

GG Allin & The Murder Junkies – Terror In America – Review

March 2, 2007

Allin’s self-destructive, audience-abusing antics took performance art to new levels. Lower ones. Like Hated, this is a fetish movie. This one’s softcore.

Accept – A Metal Blast from the Past – Review

November 3, 2006

The set list pulls generously from the German band’s early ’80s golden years that produced their best albums: Restless and Wild and Balls to the Wall.

Andrew W.K. – Who Knows? – Review

September 9, 2006

This is this man’s deepest and most sincere expression of himself. It just so happens that he’s also able to write arena rock songs that cannot be refused.

Kate Bush – Under Review – Review

August 4, 2006

As with the other Under Review installments, this round table discussion by certain “authorities” is little more than a generalized overview of her career.

The Smiths – Under Review – Review

August 4, 2006

People involved with certain artists – The Smiths, in this case – get together and offer a “critical analysis” of said artist’s career and impact upon society.

The Velvet Underground – Under Review – Review

June 16, 2006

A reasonably in-depth analysis, and even if there isn’t much new information for the hardcore geeks, the performance footage is enough to make it worthwhile.

Captain Beefheart – Under Review – Review

June 16, 2006

A reasonably in-depth analysis (almost two hours), and even if there’s not much new information for the hardcore geeks, the performance footage is enough.

Devo – Live 1980 – Review

April 28, 2006

25 years and a million desensitizing news events, movies, records, and stage shows later, and Devo is still fucking weird.

Dwarves – Fuck You Up and Get Live – Review

April 28, 2006

There’s not a thing wrong with the band’s performance. I just also wanted to see the spectacle, and it’s just not here.

Samhain – Live 1984 Stardust Ballroom – Review

April 28, 2006

The songs are slower, more textual, and less cartoonish in their execution, but definitely traceable to the core interests of Glenn Danzig’s brutish brooding.