A little bit of everything from horn-driven espresso-bongo-distorto schmutz to sampled-samba clean-and-jerk to a diatribe against Simins as a role model.
The Oblivians belch out under-two-minute rotgutabilly tirades like “Guitar Shop Asshole” and “She’s a Hole,” swagger-staggering in pools of cheap beer.
El Vez came into being in 1990 with an indelibly hilarious image that he calls “Elvis con salsa,” that famous pompadour combined with a pencil-thin mustache.
Stereolab – Emperor Tomato Ketchup: I’m tempted to call this their best retro-techno concoction yet. It’s also their best album with a condiment in the title.
A typical approach to their burst-bladder grindcore dirge-pop – Spectoresque production, fuzzed-out Mellotron, and Byrne Skarr gargling with sulfuric acid.