Rosa Mota – Bionic – Review

October 1, 1996

One hot minute, it’s incantantory punk and Kate Pierson (or Cindy Wilson) the next, it’s string-mopped U.K. hee-hey with a sickly-sweet Pixie-sticky bassline.

Komeda – The Genius of… – Review

October 1, 1996

A retro-tinged pop sound that seems innocent enough, but is insidiously laced with a hypnotic undertow that Franz Mesmer would call “manipulative.”

8 Ball Shifter – Hanson – Review

October 1, 1996

It seethes with hellhound hiss and blood sickness, all in high-contrast black-and-white with sanguinary splashes that’d give Herschell Gordon Lewis pause.

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