Original, well-crafted (instrumentally and vocally) fast music from the likes of Dogwood, Shorthanded, and Craig’s Brother make pop-punk as enriching as ever.
One minute it’s feedback and synthesizers, the next (by way of awkward transitions, most of the time) it’s Huntington Beach circa ’83, spiked mohawks and all.
Dirty guitar sound and throaty vocals similar to Chad of ALL, NPW sounds like “I Don’t Wanna Hear It” and “Reaganomics,” song after over-caffeinated song.