Paul Bellini and Scott Thompson of Kids In The Hall fame wrote and recorded hundreds of songs between 1984 and 1988 without ever putting out a proper release.
As a retrospective, This Station Is Non-Operational decently chronicles the band’s growth from nascent emocore to writhing, salsa-infested post-punk hybrid.
The first six years had groundbreaking work from some of the greatest filmmakers in cinema history. The first half also contained the premier work from the majority of the independent filmmakers who will take us deep into the next century.