They’ve not continued on Warnings/Promises’ path, nor returned to The Remote Part’s commercialbility but combined the best of both. As much punk as U2 anthemic.
The bio sez “death, taxes, and Motörhead,” and that’s about right. I dread yet another Motörhead release like I do tax season, but it’s never as bad as I think.
The handsome old poofter is still putting out good records, and this one is produced by Tony Visconti. If you don’t know who he is, you don’t love rock’n’roll.
It’s taken years for people to decide Dance of Death wasn’t so hot and Brave New World was good. Most are putting this with Brave New World, and I agree.
The motherlode of Bruce Dickinson solo. Two concerts, and every video Bruce has ever done, with bonus regaling by an animated, always self-assured Bruce.
By no means essential with the plethora of available Maiden retrospectives and live albums, but if you’re a diehard, Death on the Road will serve you proudly.
Timeless metal, with ageless melodies and divine human creativity that challenges the heavens. The Essential is for either a complete newbie or a completist.