Scott Hefflon – Page 30 – Lollipop Magazine

Freakangel – Let It All End – Music Stream

July 1, 2012

“It’s an album about all of us… how brain-dead we act in this dying world of ours, how we have lost faith in ourselves and how we prefer to believe in television nonsense and pseudo-Gods.”

Alien Vampires – Clubbers Die Younger – Music Stream

July 1, 2012

Louder, faster, harder: Upfront industrial dance full of distorted noise, vibrating bass-drums, hypnotic turbo beats, and provocative, harsh vocals.

The Dandy Warhols – This Machine – Review

July 1, 2012

The album’s first single is a dark, mellow number, less reaching than The Kink’s classic “Alcohol,” but just as roomy, heartfelt, and simply beautiful.

The All-American Rejects – Kids In The Street – Review

July 1, 2012

From power pop swagger to synthpop dance to throat-catching sobbers, The All-American Rejects have still got it by the boatload.

Tallhart – Bloodlines – Review

July 1, 2012

Tampa-based Tallhart are the first band released by Say Anything’s Max Bemis’ Rory Records through Equal Vision. And it doesn’t sound like Say Anything.

Suicide Inside – Homicide – Review

July 1, 2012

An eclectic blend of aggressive electronic music and furious industrial rock, with heavy breakbeats, rhythmic noise, and Natasha’s razor-sharp provocative female vocals.

Stray – Letting Go – Review

July 1, 2012

Second release by Erica Dunham of Unter Null’s side project. One can perceive hope and light at the end of this trancey tunnel.

Schwarzblut – Maschinenwesen – Review

July 1, 2012

A five-piece band from the Netherlands that blends romantic, melancholic Weimar poetry with danceable dark electronic music.

Reptar – Body Faucet – Review

July 1, 2012

Athens, GA’s bright and shiny college rock is alive and well with enthusiastic indie kids like Reptar.

The All-American Rejects – Kids In The Street – Music Stream

July 1, 2012

From power pop swagger to synthpop dance to throat-catching sobbers, The All-American Rejects have still got it by the boatload.