Tee Pee Records – Page 6 – Lollipop Magazine

Raging Slab – Pronounced Eat Shit – Review

February 14, 2003

The tempos are generally on the slow side, the emotional tone one of contemplation. There’s none of the screaming that passes for emotion in modern rock music.

Bad Wizard – Sophisticated Mouth – Review

January 30, 2003

Sped-up AC/DC-ish punkers with lotsa dueling Les Pauls and shouted background vocals. They haven’t written their “Ace of Spades” or “Whole Lotta Rosie” yet.

Hermano – Only A Suggestion – Review

November 8, 2002

Another entry in the John Garcia subgenre, Hermano will come as no surprise to those who’ve heard Garcia’s other post-Kyuss projects, Slo Burn and Unida.

Boulder – Reaped In Half – Review

August 16, 2002

They smack you full-force in the back of the head with the unholy power of their metal, but they’ve begun to form the metal before they start swinging.

Lost Goat – The Dirty Ones – Review

May 31, 2002

Treading some odd middle ground between angular, atmospheric indie rock and floorboard-rumbling ’70s-flavored hard blues rock, it’s familiar yet also fresh.

High On Fire – The Art of Self-Defense – Review

May 17, 2002

Produced by Billy Anderson, it’s loud and nasty, all sonic mud and the sick-sounding buzz of Matt Pike’s guitar, a Biblical instrument of destruction.

Bad Wizard – Free and Easy – Review

March 1, 2002

Judging by their wham-bam-thank-you-ma’am pacing (nine songs, 27 minutes) and a gut feeling, I’d say these guys are old punk rockers who made a rock record.

The Mystick Krewe of Clearlight – Review

April 1, 2001

No singin,’ plenty of organ, high-energy, blues rock-based playing, revving up and spacing out like live Steppenwolf. Members of Eyehategod, Crowbar, and Down.

The Atomic Bitchwax – II – Review

April 1, 2001

The grooves are hotter, the solos are much tastier, and the period-flavored production is the final masterstroke, pushing the pedal through the floorboard.

Boulder – Ravage and Savage – Review

September 1, 2000

Kinda like a sideways speed metal band heisting riffs from really grunty boogie rock and frying a few dual leads stolen from Thin Lizzy. Per Song.